Francis Ford Coppola鈥檚 decades-in-the-making, self-financed epic 鈥淢egalopolis鈥 flopped with moviegoers, while the acclaimed DreamWorks Animation family film 鈥淭he Wild Robot鈥 soared to No. 1 at the weekend box office.
鈥淭he Wild Robot,鈥 Chris Sanders鈥 adaptation of Peter Brown鈥檚 bestseller, outperformed expectations to launch with US$35 million in ticket sales in U.S. and Canada theatres, according to studio estimates Sunday. 鈥淲ild Robot鈥 was poised to do well after critics raved about the story of a shipwrecked robot who raises an orphan gosling. Audiences agreed, giving the film an A CinemaScore. 鈥淲ild Robot鈥 is likely set up a long and lucrative run for the Universal Pictures release.
Paul Dergarabedian, senior media analyst for Comscore, predicts 鈥淭he Wild Robot鈥 鈥渕ay take a page from the 鈥楨lemental' playbook by opening to respectable box office and then looking toward long-term playability.鈥 Pixar's 鈥淓lemental," which like 鈥淭he Wild Robot" wasn't a sequel, debuted with a modest US$30 million but went on to gross nearly US$500 million worldwide.
Family movies, led by the year's biggest hit in 鈥淚nside Out 2,鈥 have particularly powered the box office this year. David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment, said the genre should reach US$6 billion worldwide in 2024 鈥 which, he noted, "is back to pre-pandemic levels.鈥
鈥淢egalopolis,鈥 Coppola鈥檚 vision of a Roman epic set in modern-day New York, was never expected to perform close to that level. But the film鈥檚 US$4 million debut was still sobering for a movie that Coppola bankrolled himself for US$120 million. Following its premiere at the Cannes Film Festival, critics have been mixed on Coppola鈥檚 first film in 13 years. Audiences gave in a D+ CinemaScore.
By any financial measure, 鈥淢egalopolis鈥 was a mega-flop. But from the start, the 85-year-old Coppola maintained money wasn鈥檛 his concern. Coppola fashioned the film, which he first began developing in the late 1970s, as a grand personal statement about human possibility.
鈥淓veryone鈥檚 so worried about money,鈥 Coppola told The Associated Press in an interview ahead of the film鈥檚 release. 鈥淚 say: Give me less money and give me more friends.鈥
Studios passed on 鈥淢egalopolis鈥 after Cannes. Lionsgate ultimately stepped forward to distribute it, for a fee. Coppola also picked up the tab for most of its US$15 million in marketing costs. The film, which stars Adam Driver, Nathalie Emmanuel and Aubrey Plaza, also played in about 200 IMAX locations, which accounted for US$1.8 million of its ticket sales.
After three weeks atop the box office, Tim Burton鈥檚 鈥淏eetlejuice Beetlejuice鈥 slid to second place with US$16 million in its fourth weekend of release. The Warner Bros. sequel to the 1988 鈥淏eetlejuice,鈥 starring Michael Keaton and Winona Ryder, has amassed US$250 million domestically in a month of release.
Third place went to 鈥淭ransformers One,鈥 the Transformers prequel starring Chris Hemsworth and Brian Tyree Henry. After its lower-than expected debut last weekend, the Paramount release collected US$9.3 million on its second weekend.
鈥淢egalopolis鈥 was even bested by the Indian Telugu-language action film 鈥淒evara: Part 1.鈥 It grossed US$5.1 million in its opening weekend, good enough for fourth place.
Also debuting in theatres was Jason Reitman鈥檚 鈥淪aturday Night,鈥 an affectionate dramatization of the sketch-comedy institution on the night it first aired in 1975. On the same weekend the NBC series began its 50th season, Reitman鈥檚 movie launched in five New York and Los Angeles theatres and collected US$265,000, good for a strong US$53,000 per-theatre average. 鈥淪aturday Night鈥 goes nationwide in two weeks.