"Kick-Ass"
Richard's Review: 4 stars
If Quentin Tarantino made a kid's coming-of-age movie it might look something like "Kick-Ass". It has most of his trademarks -- clever dialogue, good soundtrack and some high octane violence -- but there's a twist. The bloodiest, most cut throat purveyor of ultra violence in the film is an eleven year old girl.
Based on a wild indie comic of the same name by Mark Millar "Kick-Ass" tells a couple of intertwining stories. First up is Dave Lizewski (Aaron Johnson), a fanboy who creates a superhero alter ego called Kick-Ass as a way to boost his self esteem. In life he says his only superpower is being invisible to girls, but when he dons the suit he becomes… only marginally more super. His exploits, however, grab the attention of Big Daddy (Nicolas Cage) and Hit Girl (Chloë Moretz), a slightly psychotic father and daughter team of masked (and in Hit Girl's case, wigged) avengers who admire Ass's style and moxy. For the caped crusaders in "Kiss-Ass" all roads lead to drug lord Frank D'Amico (a suitably evil Mark Strong) a ruthless tough guy who is unafraid to go all medieval -- his men even use a giant microwave as a torture device -- on his enemies.
The action scenes are plentiful and frenetic and once you get past the question, "Why would Chloë Moretz's parents allow her to do this?" they're really fun. It's a little unsettling to see a young girl wielding a switchblade, gunning down dozens of bad guys and going hand-to-hand with a full grown man, but for superhero starved audiences -- "Iron Man" won't be out until next month! -- Hit Girl could become a guilty pleasure. It's not right, and the character will likely be controversial, but it is cool. Not since Natalie Portman in "Léon" has the screen seen such a sweet faced assassin.
But Chloë Moretz's performance isn't all high flying action. She makes the best of the darkly comic script, playing both sides of the Mindy / Hit Girl character. Out of costume she has a sweet playful side that pretty much evaporates when she puts on the wig and the weapons.
She plays well off Cage, who once again scores with a very loopy performance, but it is her ability to bring some exuberant fun to her scenes that is "Kick-Ass's" strongest suit.
"Kick-Ass" is an unusual coming of age story in all respects except one, and that is the film's weakness. The love story between Dave and Katie (Lyndsy Fonseca) is typical teen fare and is soon forgotten when the action kicks in.
Apart from the mushy teen stuff, however, "Kick-Ass" is one movie that lives up to its title.
"Death at a Funeral"
Richard's Review: 3 stars
Family functions can be intense at the best of times. A Christmas dinner can turn into a theatre of war over burnt gravy; a family reunion, a battleground of hurt feelings and resentment. Probably no other family event is as highly charged as a funeral. Emotions are heightened and everybody is on edge. Add to that charged atmosphere a boyfriend who has been accidentally dosed with LSD, a gay blackmailer, and a grumpy uncle and you have "Death at a Funeral," a new all star farce starring Chris Rock and Tracy Morgan.
Based on a 2007 British film of the same name "Death of a Funeral" begins on the day of Aaron (Rock) and Ryan (Martin Lawrence) father's funeral. Opting for a home funeral, every family member has been invited. They include the crusty uncles Russell and Duncan (Danny Glover and Ron Glass ), a soon to be married couple Elaine and Oscar (Zoe Saldana and James Marsden) and family friends Norman (Tracy Morgan) and Derek (Luke Wilson). Also attending is Frank (Peter Dinklage, reprising his role from the original) an uninvited guest with a secret about Aaron and Ryan's father.
"Death at a Funeral" is a farce. There are lots of slamming doors, outrageous situations, a mysterious rash, a hallucinating guest and a coffin that seems unable to contain the dead body within. If you don't like one joke, stay with it, there'll be fifteen more in the next minute-and-a-half. They come fast and furious and while only about half of them land it's enough to make "Death at a Funeral" worth a look.
Chris Rock as the centerpiece of all the action. He's the comedic anchor around which all the action spins but he's not just the film's straight man. He sets up and knocks down joke after joke -- including one hilarious Screamin' Jay Hawkins reference -- all the while adding some warmth to the rare non-comedic scenes.
Also strong is James Marsden who shows off his comic chops in the unforgiving role as the high guy. It's a "Reefer Madness" portrayal of someone in the depths of an acid trip -- if you want realism rent "Requiem for a Dream" -- but it is funny watching him try and interact with the other guests at the funeral while out of his mind.
The rest of the ensemble cast flits in and out of the action with varying degrees of success. If the idea of Tracy Morgan saying, "I'm gonna forget about the poop in my mouth," amuses you, then his role is successful (if a little less sophisticated than the material he spouts every week on "30 Rock") and the great Danny Glover (who once played Nelson Mandela) has little to do other than reprise his stuck on a toilet gag from "Lethal Weapon 2."
Much of "Death at a Funeral" is in very bad taste but despite a hint of homophobia delivers some solid laughs.
"The Girl With the Dragon Tattoo"
Richard's Review: 4 stars
If you think Swedish cinema is all isolation and despair, a tortured Bergmanesque look at the human condition, think again. In recent years directors like Lukas Moodysson and films such as "Let the Right One In" have redefined Scandinavian movies; quietly leaving behind the icy introspection typical of the best known filmmakers from that part of the world. The latest Swedish film to gain international notice is "The Girl with the Dragon Tattoo," a truly thrilling thriller based on a best selling novel.
In the opening minutes of the film Mikael Blomkvist (Michael Nyqvist), a muck raking journalist for the controversial Millennium magazine, loses a libel case brought against him by a Swedish industrialist. Before he begins his three month prison sentence he is offered an intriguing job. Hired by Henrik Vanger (Sven-Bertil Taube), the scion of an industrial dynasty, he is charged with solving a forty-year-old murder. In the late sixties Vanger's favorite niece disappeared, leaving no trace except for framed, pressed flowers which arrive every year on Henrik's birthday. It is a cold case, one that the police haven't been able to solve, but Vanger feels that Blomkvist's dogged style might be able to uncover some new clues. Aiding the journalist in his search is Lisbeth Salander (Noomi Rapace), a trouble computer hacker with a massive tattoo of a dragon on her back.
"The Girl with the Dragon Tattoo" is a pulp thriller, complete with Nazis, bible references and bondage. There's nothing terribly highbrow about it, but there is a certain elegance to how director Niels Arden Oplev slowly unfurls the clues, stretching the story tautly over the two-a-half-hour running time. The plot shouldn't work; it has story shards all over the place -- the verdict in the libel case, the hacker and her evil parole officer, the disappearance -- but Oplev keeps the storytelling as crisp as the sound of a boot crunching on the snow that envelopes the landscape.
Top it off with some terrific performances -- particularly from Rapace and Taube -- some melodrama and as twisted a bad guy as we've seen since "Silence of the Lamb's" Buffalo Bill and you have a slow burning mystery that builds to an explosive climax.
If this was an American film (and it will be soon) the disgraced, but dogged reporter might be played by Jeremy Renner, the computer hacker by Kristen Strewart and the obsessed industrialist by Christopher Plummer, and you know what, it wouldn't be any better than the Swedish version. See it in its original language before Hollywood snaps it up and ruins it.
